Tuesday, January 29, 2008

TOP 15 GREATEST FILMS OF 2007

There comes a time in every year when a film critic must take a few breathes, look back, and make a top ten list of his or her favorite films from the past twelve months. And as you can tell, I’ve been slacking off lately and didn’t get around to it until today. But better late than never and to show you what a super nice guy I am (and asking nothing in return except a few clicks on a few measly ads at the bottom of the page), I’ve added an extra five films to my compilation.

These are movies I haven’t seen before and since I’m still an inexperienced critic you might be surprised at what shows up on the list (so don’t be). But enjoy the list, watch the films, and maybe one day you can have your own blog about movies. Just don’t get in my way. Enjoy!

Photobucket

15. A Face in the Crowd

Forget everything you ever knew about Andy Griffith. Forget about his comedy shtick, forget about Mayberry, and get ready for a new experience. I’d never heard of this movie until it was nominated for the new AFI Top 100 List, but let me tell you, Andy plays a monster! His character, Lonesome Rhodes, is a neurotic country singer, who starts out small and becomes the biggest and most powerful star on television.

Patricia Neal plays Marcia Jeffries, a radio host who gives Lonesome his big break. Rhodes hates the big business attitudes, although his love of money gives him that same slick style. From the radio he moves to TV, and the more successful he gets, the crazier he acts. There’s a glint in his eye and he has a hearty, creepy laugh. Andy plays the part to a T adding another bit of excellence to the film.

Photobucket

14. Sherlock Jr.

Buster Keaton always held an interesting aspect as director, but here he creates magic. Magic and a lot of gags. It’s a celebration of film and an inspiration for future directors. Keaton plays a small town projectionist who fantasizes about becoming a detective. One day he falls asleep in the booth and his dream-self enters the movie screen to help solve the crime of the story.

Imaginative and very funny, my favorite gag is when Keaton and the villains are shooting pool. They’ve rigged the table with a fake 16 ball that’s really a bomb. Every shot, he hits around it, providing not only suspense, but hilarity.

Photobucket

13. The Night of the Hunter

With Robert Mitchum, Shelley Winters, and Lillian Gish starring plus Charles Laughton directing, you can’t go wrong. A brilliant Mitchum plays bogus preacher “Reverend” Harry Powell. After he’s arrested in a small town, Harry learns of some money stolen by his cell mate. The prisoner, who is later hung, won’t tell Harry where he hid the dough, so after he’s sprung the preacher finds the man’s widow and starts a search. The man hid the money with his children and they’ve sworn to secrecy. Meanwhile, Harry piles on the charm in town, making everyone love him. He even marries the children’s mother (Shelley Winters) to get close to the money. The kids know what a creep he is and refuse to tell him the hiding place, but they soon find out just how tenacious and evil he can be.

Mitchum is terrific and the slick voice and outfit add to his sinister presence. Gish pulls her weight as the gruff protector of the children. And Laughton makes me sad, considering he made such a good movie, only to never direct another.

Photobucket

12. Dead Poets Society

This movie is about as inspiring as it gets. Robin Williams plays John Keating, an English teacher at a boy’s academy. He teaches them about life and how to seize the days ahead of them. How to think free and be all you can be. Some understand it and some don’t. That’s all there is to it.

Photobucket

11. Rudy

In 1986, David Anspaugh and Angelo Pizzo directed and wrote “Hoosiers.” It was a great film and probably one of the finest sports movies ever made. Seven years later they made “Rudy” and I must confess that I like it even better than the previous film. The acting is great, the story is an emotional punch, and Jerry Goldsmith’s music fits perfectly.

Sean Astin plays Rudy Ruettiger, a little guy who’s always been bossed around. His life goal is to play college football for Notre Dame, but his grades aren’t good enough to get into the school and it seems like no one wants him to succeed. Still, the one thing he remembers is to never give up on his dreams.

Photobucket

10. A Hard Day’s Night

There are few films quite as cool as “A Hard Day’s Night.” It’s got everything you could ever want: The Beatles, rock and roll songs, wild direction, funny gags, and a “clean” old man.

Richard Lester films the movie as a day in the life of the Beatles with John, Paul, George, and Ringo traveling to a TV gig. On the way, they encounter strange things and just try to have fun. The dialogue by Alun Owen is hilarious. Every moment is some sort of joke. But the movie’s standout is Wilfrid Brambell as Paul’s wild Grandfather. You’ve just got to see it to believe it.

Photobucket

9. Out of the Past

Film noir is one of the most creative genres and “Out of the Past” is a prime example of it. Daniel Mainwaring writes cracking dialogue and Jacques Tourneur executes some fine direction. You’re bound to remember this.

Robert Mitchum plays Jeff Bailey, a local gasoline pumper with a former life he’s trying to forget. His real name was Markham and he worked for a gangster named Whit Sterling (Kirk Douglas). A few years back, Sterling sent him to find his old girlfriend, Kathie (Jane Greer), who shot him and stole his money. When Jeff sees the girl, they fall in love and try to hide it from Sterling, although he finds out and sends a spy after the two. During a series of strange events, Kathie runs away and Jeff goes into hiding. Now the boss needs him again. But why? All answers lie ahead in this cool, slick bundle.

Photobucket

8. Lost Horizon

As a cluster of people leave panicky China on an airplane, it’s hijacked by a pilot and crashed in the middle of the Himalayas. The aviator is dead, but the passengers are intact. Through the snow they look for shelter and food until a group of people come to greet them. They are taken to a wonderful land called Shangri-La. Hidden away from the rest of the world, it’s warm, bright, deep and you can live peacefully there for hundreds of years. Most of the visitors love the place and others simply don’t. The rules are simple: If you want to leave, you can, but there are consequences with every action.

Frank Capra directs an unusual masterpiece and the cast is great together. Ronald Colman is a good leading man, Jane Wyatt is fine as the love interest, and Thomas Mitchell and Edward Everett Horton make a great screen duo that learn to like each other in the end.

Photobucket

7. The Man Who Would Be King

Sean Connery and Michael Caine have a certain chemistry and humor that makes everything they do in “The Man Who Would Be King” look effortless. John Huston directs this adventure tale and provides an epic look at two friends and their journey across the untamed lands of the Middle East.

Based on a Rudyard Kipling story, Peachy Carnehan (Caine) and Daniel Dravot (Connery) are best friends in the British army. Always scheming some way or another, they resign their ranks in India and set off into the mountains to become kings. But the local tribes mistake them for gods! They meet strange people, have wild adventures, and prove what little mistakes can cost. But along with its’ morals, it makes for a good time at the movies and it’s pretty darn funny.

Photobucket

6. Rebecca

Alfred Hitchcock’s direction shines in his first American film and the story is eerily magnificent. Joan Fontaine and Laurence Olivier fall in love at a resort and marry. When he takes her home to his mansion, she learns of his past and his previous wife, Rebecca. She died in a boating accident and no matter what happens, Fontaine can’t get out of her shadows. The Macguffin in the movie is a killer.

Photobucket

5. Safety Last/The Freshman/The Kid Brother/Girl Shy

I’ve seen four Harold Lloyd movies this year, and they’re so good it’s hard to pick just one favorite. What I like about Harold is that he’s fun to root for. His smile, personality, and ordinariness make his characters happy-go-lucky underdogs who somehow always come out on the top. The films I saw were “Safety Last,” “The Freshman,” “The Kid Brother,” and “Girl Shy.” He plays the same basic character in each film, but the gags are always different and fresh as are the storylines. He really went to some great lengths for some jokes, especially the building climbing scene at the end of “Safety Last.” And remember, these stunts are real!

Photobucket

4. White Heat

Jimmy Cagney defined the gangster genre with such films as “The Public Enemy,” “Angels With Dirty Faces,” and “The Roaring Twenties.” His characters were always smarmy wise guys who were tough but mixed up kids at heart. In “White Heat,” there’s nothing mixed up about him. His character, Cody Jarrett, is 100% insane and Cagney is great in the role.

Cody is a crook who longs for attention and loves being a bad guy. His gang consists of a few guys, his wife, and his mother. He and “Ma” are a team and whenever Cody gets headaches, she cuddles him until he feels better, just like a baby. He likes to kill and he loves money. The government sneaks a spy into the gang to check up on Cody and the thrills begin. And who could forget that finale?

Photobucket

3. The Right Stuff

It’s tough to make a three hour movie and sustain the audience’s attention but “The Right Stuff” knows how to do it. It’s about the first years of NASA and the race to beat the Soviets into space. We follow the tales of the astronauts and everything they go through, from the test modules, to the first flights, to the experiments, and more. The movie succeeds in drama, special effects, acting, story, and lots of humor. It’s a truly amazing film.

Photobucket

2. Breaking Away

Never before have I seen a film quite as unique as “Breaking Away.” Every scrap of screenplay is ingenious and clever. The movie focuses around four friends in their early twenties who have no idea what to do with their lives. As people egg them on to go to school and get jobs, they have to learn things for themselves, like Dave, the main character played by Dennis Christopher. His dream is to become an Italian bicycle racer. But he’s not Italian and with his reputation, he’ll never be able to race. But he keeps trying and even uses a phony accent. That’s what makes the movie work: They keep trying and keep the charm going.

Photobucket

Photobucket

1. The Crowd

Simply put, “The Crowd” is one of the greatest movies I have ever seen. Every inch of film has a purpose and it all comes crashing down on us, unexpectedly at the end. It’s just like “It’s a Wonderful Life,” only depressing. But that’s not an insult.

The movie focuses on Johnny Sims (James Murray), a young man with the dream to do something big. He doesn’t know what, but it’ll come to him eventually. Years pass until he grows up and moves to the city, working as a desk clerk in a huge office where everyone seems to have the same life goal. Through the film, Johnny makes mistakes, gains a family, and becomes lost in the crowd of people. It seems rough, but can there be any hope left?

The music by Carl Davis on the edition I saw was marvelous. It sets the tone of the movie and gives a feeling of what the characters are thinking. The movie makes its’ points with broad strokes and I promise it’s all you’ll be thinking about after the last, haunting scene.

Sunday, January 20, 2008

FREE MOVIE OF THE MONTH: SAFETY LAST

Photobucket

Of all the silent comics, I'd say Harold Lloyd is probably my favorite. He's just so darn likeable and his movies are hilarious. He always plays an average guy with big dreams and a great smile. It's fun to root for a character like that. His best work is probably "The Freshman," but his most famous is "Safety Last," in which he climbs a building and hangs on for dear life. It's also the Free Movie of the Month.

So grab a chair and get ready for a funny and hair-raising good time. The movie is split into 7 parts on Youtube.com, here's the link to the first part: SAFETY LAST

Enjoy!

Friday, January 18, 2008

MOVIE OF THE WEEK: THE MASK OF ZORRO

Photobucket

The Mask of Zorro (Rated PG-13)

1998

136 Minutes

Widescreen: 2.35:1

“The Mask of Zorro” is one of those movies I just get giddy over every time I watch it. I remember back in 1998 it was one of the rare PG-13 films I could actually see. I was so astounded by everything, I nearly fainted into the bucket of popcorn (It wouldn’t have mattered, there was never enough butter anyway). The stunts, the music, the adventure. That’s the key word. The movie takes its adventure so seriously, I would rank this film among “The Adventures of Robin Hood,” “Gunga Din,” and its’ classic predecessor, “The Mark of Zorro.”

Just in case you’re not acquainted with Senor Zorro, I’ll introduce you. First appearing in the pulp magazine, “All-Story Weekly,” he’s a fictional character with the name Don Diego de la Vega, who originally lived in California around the early 1800s. After returning from a school in Spain, he was shocked at how badly the Spanish government was treating the peasants. So he strapped on his boots, made a black costume- complete with nifty mask- and went around giving the citizens the justice and money they deserve, using the name Zorro (Spanish for “fox”). Whenever he left, he would carve a Z into something with his sword. Sort of like a Spanish Robin Hood, only without the tights. But anyway…

The story begins in 1821, California. A prologue tells about the Spanish reign over Mexico and how it’s coming to an end. Don Rafael Montero, one of the Spanish leaders, will not leave however until he gets his final fight. He picks three people at random from a huge crowd and prepares nooses for them, waiting for Zorro. A crowd of protestors wait for Zorro in the plaza. I’m pretty sure all of the people in the scene are real extras. They fuss, fight, and boo Montero and it looks just like a dusty Mexican town. This film came into theaters about the time CGI became popular, so it’s a treat to see some final real movie magic at work.

Zorro eventually comes and kicks some Spanish guard butt. He’s played by a 61 year old Anthony Hopkins, but his age doesn’t show too bad here. After he frees the hangmen and leaves a Z on Montero’s neck, he returns to his awesome hideout, located behind a waterfall with secret doors. The secret doors lead to his house, where he enters as Don Diego. Suddenly as he and his wife, Esperanza, are about to sit down, Montero and a troop of guards burst into the place. Apparently, both of them loved her and Diego won out. They have a duel and one of the guards accidentally kills Esperanza. Needless to say, that guard did not get the Christmas bonus he hoped for. Afterwards, Montero ships Diego to a prison, whilst he burns the house down and steals his baby daughter.

The story stops here and then moves forward 20 years. We meet Alejandro Murrieta and his brother Joaquin. They’re both bandits, but their crazy reign only lasts a few scenes as Joaquin is captured and killed by Captain Harrison Love, a California Ranger. Alejandro escapes and begins drinking away his problems, vowing vengeance on the mullet-styled lawman.

Meanwhile, Diego has escaped from prison and Don Montero has returned to California. Diego is about to strike him down, but remains silent when he sees his daughter, Elena, all grown up. He leaves the scene and finds Alejandro at the bar. Both know each other from a previous incident and Alejandro tells him his troubles. Diego then makes him a proposition. If he teaches him how to fight with dignity, Alejandro can avenge his brother, while Diego can become an established figure again and slowly take back his old life, killing Montero.

One of the best scenes in the movie comes during training as Alejandro pulls out his sword. Diego simply asks “Do you know how to use that thing?” “Yes. Pointy end goes into the other man.” I’ll leave you to see the embarrassing conclusion of the practice fight. I love this movie because it has a sense of humor and a respect for the genre at the same time.

The plot really starts when Montero develops an idea to steal half of California’s gold with a giant mining system. The system, fueled by peasants work is inhumane, and now, the Zorros, old and new, must stop it.

The actors seem to be having fun with their roles. Anthony Hopkins plays Diego wise and slowly, while Antonio Banderas is funny as Alejandro goes from bandit to gentleman. And I almost forgot about Catherine Zeta-Jones. She’s a feisty heroine and you’d almost swear she was Spanish. She and Banderas have great chemistry.

Along with its old fashioned feel, James Horner’s swashbuckling score is just icing on the cake. Although best seen on the big screen, the 2005 DVD release is a pretty colorful and vivid interpretation. Even if you don’t like the adventure films, you’re bound to like this.

Grade: A-


And that's why "The Mask of Zorro" is the Movie of the Week.

P.S. Included below is the movie's trailer and a video with some of James Horner's magnificent score accompanying pictures from the film. Enjoy!





Monday, January 7, 2008

MOVIE OF THE WEEK: THE NATURAL

Photobucket

The Natural (Rated PG)

1984

134 Minutes

Widescreen: 1.85:1


The difference between a good movie and a great one is simple: The good one will entertain you, while the great one will entertain and make you think. There’s more to it than that, but that’s the basis, and also what makes “The Natural” so excellent. There’s more than meets the eye in this film, and you’ll be pondering over the plot long after it’s over, I can assure you.

Roy Hobbs (Robert Redford) is a country boy, plain and simple. He lives on a farm, has a sweet girlfriend (Glenn Close), and a love for baseball. But his passions are deeper than most, and his baseball fetish grows as his chances grow to be a Major League pitcher. Traveling through America, pitching as more of a sideshow, he strikes out “The Whammer,” a Babe Ruth look-alike and his career seems to sky rocket. But Roy gets a little sidetracked. Temptations lead him down the wrong paths as an attractive girl named Harriet Bird (Barbara Hershey) stops him in his tracks. Then, once she has him in her grips, she shoots him. Hobbs is out, and we don’t see him for nearly 15 years.

Wanting to leave everything behind, Roy comes to the aid of the losing New York Knights. After some rough beginnings, they learn he can hit the ball better than anyone on the team. They start winning, Roy’s a hero, and everything looks great, but temptations are always lurking around the corner. A judge and a gambler want the manager, Pop Fisher (Wilford Brimley), off the team. But to get him fired, they’ll have to lose the pennant. So they send Memo Paris (Kim Basinger) to get Roy’s mind off of baseball and onto her.

Pop warns Roy about Memo, but they date anyway and the team starts to lose. Not only that, but Max Mercy (Robert Duvall), a sports writer, tries to create scandals about Roy. Not knowing what to do, the team plunges on, but when their next stop is in Chicago, Roy’s past looks him straight in the eye. Iris, his old girlfriend, is living there and when he sees her at the game, his batting power comes right back. Everything falls into place, and he realizes what mistakes can do to him and the people around. The only redemption he can attain is to leave all badness behind him and get a fresh start.

The morals work perfectly in this film and cleverly lock in place with baseball. However, my favorite part of the movie is probably Randy Newman’s incredible score. The movie’s theme is amazing, but the other music plays great too. Every time Roy hits the ball, the trumpets blare in triumph, and every time he does something wrong, the woodwinds sadly twist. Wilford (diabeetis) Brimley leads the pack of supporting characters, playing a great, surly manager and Robert Prosky, as the villainous judge, is Mr. Potter-esque. Caleb Deschanel’s cinematography sets the mood of the film, giving it an ageless look to match the rest of this excellent and memorable film.

Grade: A-

And that's why "The Natural" is the Movie of the Week.

P.S. Here's a couple of clips from the flick. Enjoy!



Thursday, January 3, 2008

HAPPY NEW YEAR

I just want to wish all of my readers a Happy New Year. I've been slacking off on the site for a while now, but I promise, new reviews are on the way. To help kick 2008 off, here's a short I made with movie clips. Enjoy!

-The Movie Glutton